Wednesday, October 15, 2025

Akshay Kumar moves Bombay High Court to protect his personality rights amid AI deepfake threat

Bollywood superstar Akshay Kumar has approached the Bombay High Court seeking protection of his personality rights, becoming the latest A-list actor to take legal recourse amid growing concerns over the unauthorised use of celebrity identities through artificial intelligence and deepfake technology. The matter will be heard by the court on Wednesday.

According to reports, the actor has filed a suit to safeguard his name, image, voice, likeness and overall persona from misuse by unknown individuals and digital entities. The move comes shortly after fellow actor Hrithik Roshan filed a similar plea before the Delhi High Court to protect his personal and digital identity from unauthorised commercial use.

The issue of AI-generated deepfakes and digitally manipulated content has become a serious concern in the entertainment industry, with several high-profile figures recently turning to the courts for relief. Earlier this month, Justice Arif Doctor of the Bombay High Court granted interim protection of personality rights to legendary playback singer Asha Bhosle and actor Suniel Shetty, acknowledging the increasing misuse of celebrity images and videos online.

With Akshay Kumar now joining this growing list, the issue has clearly taken centre stage in Bollywood’s ongoing battle against digital impersonation and content manipulation. Known for his strong public image and disciplined persona, Akshay has built one of the most respected brands in Indian cinema — spanning acting, production, and philanthropy. His decision to seek judicial protection underscores the mounting challenges faced by celebrities in maintaining control over their identity in an era where AI can easily replicate voices and faces for profit or parody.

On the work front, Akshay Kumar continues to remain one of Bollywood’s most bankable stars, with multiple projects lined up for release. His recent films have spanned genres — from action and comedy to social drama — reaffirming his place as one of the industry’s most versatile performers.

As India awaits a comprehensive legal framework to regulate the commercial use of AI-generated likenesses, such court interventions are expected to set important precedents for safeguarding celebrity rights in the digital age.

Also Read: Akshay Kumar opens up on teaching his children about money; says, “What’s more important than money is peace of mind”



Hrithik Roshan moves Delhi High Court to protect his personality rights amid rising AI misuse

Hrithik Roshan has moved the Delhi High Court by filing a petition seeking safeguards for his name, image, likeness and other aspects of his persona against unauthorised commercial use and misuse. This comes days after veteran playback singer Kumar Sanu sought legal protection for his personality rights, and the matter is expected to be heard on Wednesday, according to a report by Bar and Bench.

With the increasing use of generative AI and deepfake technologies, several Indian celebrities have been turning to the courts to protect their digital and personal identities. Hrithik joins a growing list of public figures — including Amitabh Bachchan, Aishwarya Rai Bachchan, Jackie Shroff, Anil Kapoor, Abhishek Bachchan, Kumar Sanu, and even the late Ratan Tata — who have sought injunctions to prevent unauthorised exploitation of their name or likeness, often through AI-generated content.

Personality rights, also known as publicity rights, give individuals legal control over how their name, image, voice, and other identifiable traits are used commercially. While India does not yet have a dedicated law governing these rights, courts have upheld them under the right to privacy guaranteed by Article 21 of the Constitution and through existing principles of common law.

Hrithik Roshan, who was last seen in War 2 which released on August 14, has been in the spotlight not only for his films but also for his new venture as a producer. The actor recently kicked off his debut production Storm in collaboration with Amazon Prime Video under his banner HRX Films. Known for his carefully curated projects and strong public image, Hrithik’s move to secure his personality rights reflects a growing concern among stars about their identity being misused in the age of AI-generated videos, fake endorsements and manipulated content.

As courts continue to issue directions to online platforms for removing infringing material, legal experts believe more celebrities will take similar steps until India establishes a dedicated framework to regulate the commercial use of personal likenesses in the digital era.

Also Read: Hrithik Roshan rings in star-studded celebration with Storm cast; watch



Tuesday, October 14, 2025

Inside the SHOCKING allegations by Karisma Kapoor’s kids over Sunjay Kapur’s will: Metadata, WhatsApp chats, and more!

The Delhi High Court on Monday heard explosive claims that the will of late industrialist Sunjay Kapur, scion of the Sona BLW automotive group, was digitally fabricated to divert his Rs30,000-crore estate entirely to his third wife, Priya Kapur. What began as a private inheritance dispute has erupted into a courtroom thriller, with lawyers for Kapur’s children from his second marriage — Samaira and Kiaan Kapur, whose mother is Bollywood actor Karisma Kapoor — alleging a deliberate digital manipulation of files, secret WhatsApp groups, and a forged signature trail. The outcome could redefine not just the balance of one family’s fortune but the boundaries of digital evidence in India’s inheritance law.

“A will born on another man’s computer” Senior advocate Mahesh Jethmalani, representing the two children, told the bench that the contested will “was not the product of the deceased’s hand or mind” but a “manufactured document” created and edited on another man’s computer. According to Jethmalani, metadata shows that the will originated on the device of one Nitin Sharma, a person with no formal connection to Sunjay Kapur. “Who prepared this will?” he asked. “The file was created and altered on Sharma’s system on March 17, 2025 — the very day Sunjay was in Goa with his son Kiaan. It defies logic that he would rewrite his will on holiday while disinheriting his own children.”

The counsel added that the Word file was converted into a PDF on March 24 at 10:06 a.m., hours before a WhatsApp group named Family Office IC was formed to circulate it among a select circle that included Sharma, Priya Kapur, and Dinesh Agarwal, a director of Aureus Investment Pvt Ltd, part of the Sona BLW promoter group.

“Immediately after the document was shared,” Jethmalani said, “Priya Kapur responded, ‘Okay, thank you!’ — with no surprise or hesitation. It reads like an acknowledgment of a task completed, with no endorsement from the deceased.” Digital footprints and missing links Jethmalani argued that the electronic evidence showed multiple, unidentified edits before and after Kapur’s death, pointing to “a secretive and coordinated effort.” The will, he said, surfaced only on the 13th day after the cremation of the deceased. “There is no explanation for where this document was stored or who had possession of it,” he said. “The entire chain of custody is broken.” Contradictions and omissions The will, Jethmalani told the court, contains glaring internal contradictions — listing three bank accounts in one section and six in another, while omitting key properties including Kapur’s New York apartment, a 2010 family trust, and holdings in jewellery, artwork, and precious metals. “These are not clerical errors,” he said. “A Harvard-educated industrialist of Sunjay Kapur’s precision could not have drafted a document this casual.”

Even more striking, he said, are the incorrect addresses of Samaira and Kiaan and the five inconsistent spellings of his youngest son Azarias’ name. “A meticulous and affectionate father would never commit such mistakes,” he said. “A will standing on air” Jethmalani also drew attention to the absence of a schedule of assets, a mandatory annexure detailing the testator’s holdings. The bench itself described the omission as “a serious procedural lapse.”

“Without it,” Jethmalani said, “this will stands on air. It lists no inventory of what the deceased owned, and even the named executor appears unaware of the estate’s scale.” A matter of character and credibility To reinforce his case, Jethmalani portrayed Sunjay Kapur as “a devoted father and a perfectionist in both business and life,” citing his education at the University of Buckingham and Harvard Business School. “He never missed Kiaan’s birthdays,” he said. “The idea that such a man would exclude his children is beyond belief.” Concluding his arguments, Jethmalani declared: “This will should be cast into the dustbin of history. It bears no mark of the deceased’s hand or heart.” Court reaction and adjournment The High Court said the evidence raised “substantial questions” about the will’s origin and internal coherence. The case was adjourned to Tuesday, October 14, for further examination of the digital trail and the physical document’s custody.

Priya Kapur’s counsel maintains that “unimpeachable electronic evidence” supports the will’s authenticity. But for Samaira and Kiaan, the fight has become a broader test of truth — pitting memory against metadata in one of India’s most closely watched inheritance battles.

Also Read: Karisma Kapoor’s children’s lawyer calls Priya Sachdev “Cinderella’s stepmother” amid Rs 30,000-crores Sunjay Kapur estate legal battle 



Jimmy Shergill’s father passes away; Antim Ardas scheduled for October 14

Bollywood actor Jimmy Shergill, acclaimed for his performances in films such as Mohabbatein, Tanu Weds Manu, Special 26, and Saheb Biwi Aur Gangster, is mourning the loss of his father, Satyajit Singh Shergill, who passed away at the age of 90 on October 11. Satyajit Singh Shergill was a senior artist, reflecting the Shergill family's rich connection with art and creativity.​

Antim Ardas Details and Family Legacy The Bhog and Antim Ardas ceremony for the late Satyajit Singh Shergill will take place on October 14 from 4:30 p.m. to 5:30 p.m. at Gurudwara Dhan Pothohar Nagar, Santacruz West, Mumbai. The Shergill family traces its artistic roots to the iconic painter Amrita Sher-Gil, with Satyajit Singh’s family being related to the celebrated artist, thus underlining their deep ties to India's cultural and artistic heritage.

Jimmy Shergill has previously spoken about personal challenges and his relationship with his father, including tensions during his teenage years about his decision to cut his hair. Despite these personal struggles, Jimmy has remained a well-respected figure in both Hindi and Punjabi cinema. His latest work includes the Punjabi film Maa Jaye, released in August 2025, as well as appearances in the web series Ranneeti: Balakot & Beyond and the thriller Sikandar Ka Muqaddar.

Also Read: Jimmy Shergill breaks free from the ‘Chocolate Boy’ image: “Yeh he naach-gana karta raha, 3-4 saal mein ghar pe baith jaunga”



Shraddha Kapoor to lead Rahi Anil Barve’s Pahadpangira, filming to commence mid-2026: Report

Shraddha Kapoor is on board for director Rahi Anil Barve’s upcoming film Pahadpangira. Putting to rest earlier speculations about her exit, the actor is not only slated to headline the dark fantasy project but also plans to contribute in a creative role alongside her acting duties. A report by Mid-Day indicates that Kapoor is captivated by the story’s originality and is actively offering creative input, with the possibility of serving as a creative producer for the film.

Reportedly, the shoot for Pahadpangira is expected to kick off in mid-2026, following Barve’s work on his Netflix series ‘Rakt Bramhand’. Kapoor will begin filming after she wraps up Laxman Utekar’s project later this year. The scheduling highlights Shraddha’s growing involvement in projects that push genre boundaries, and her commitment signals belief in the film’s potential to evolve into a franchise.​

Pahadpangira is described as a dark fantasy rooted in myth and folklore, tackling themes of feminism within the historical context of the Sati practice. It is speculated that Barve initially conceptualized Pahadpangira as part of the Tumbbad universe but later reimagined it as a standalone feature after parting ways with producer Sohum Shah. Meanwhile, Ektaa R Kapoor has been associated with the project as producer.

On the other hand, Shraddha Kapoor recently made headlines for announcing the animated theatrical film Chhoti Stree at the trailer launch event for Thamma. Sharing her excitement, Kapoor said, “Guys, Maddock Horror Comedy Universe is coming out with Chhoti Stree as an animated film! It’ll be released in theatres. It’ll be a dhamaal film for kids, families, basically, for everyone.” She further expressed, “It’s a really exciting time for India. It really feels amazing to be a part of this universe”.

Also Read: Shraddha Kapoor drops sun-kissed photos, calls mystery photographer ‘lucky’; see pics



Siddhant Chaturvedi’s Netflix film Ramree, backed by Ajay Devgn, shelved due to budget constraints: Report

After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors.

According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle.

A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.”

Another insider offered a different perspective, suggesting that Ramree never reached the official greenlight stage. “A project is considered greenlit only when it goes on the floor. Ramree was an idea in development that did not move forward — a natural part of the creative process where multiple concepts are explored. While some take shape, some don’t,” the source explained.

The shelving of Ramree comes at a time when Siddhant Chaturvedi has been receiving praise for his recent performance in Dhadak 2, which released a couple of months ago. The film, co-starring Triptii Dimri, tells the story of Neelesh, a law student from a marginalized background, and Vidhi, an upper-caste girl. Through their relationship, Dhadak 2 explores the harsh realities of caste discrimination and societal prejudice, earning the actor widespread appreciation for his nuanced portrayal.

Also Read: Siddhant Chaturvedi turns heads at Singapore Grand Prix with Heineken 0.0



Monday, October 13, 2025

Bollywood's Diwali releases, Thamma and Ek Deewane Ki Deewaniyat, to face TOUGH fight from regional films; exhibitors gear up for screen sharing issues

A week is left for the arrival of the horror comedy Thamma and the intense romantic saga Ek Deewane Ki Deewaniyat in cinemas on the occasion of Diwali. This is the time when regional films typically refrain from releasing their films. But this year is going to be an exception. Both the Hindi Diwali releases will face competition from Marathi, Gujarati and Punjabi films.

Premachi Goshta 2, the sequel to the much-loved 2013 Marathi film Premachi Goshta, starring Atul Kulkarni and Sagarika Ghatge, will release in cinemas on October 21. The second part features Swapnil Joshi, Lalit Prabhakar, Rucha Vaidya and Ridhima Pandit. The trailer has been well-received due to its humorous moments and a novel twist in the story. It will be released by PVR Inox Pictures.

Interestingly, there was one more film, Punha Shivajiraje Bhosale, directed by Mahesh Manjrekar, which was all set to hit screens on the Festival of Lights. However, the mass-appealing film has now been shifted to October 31.

Gujarati cinema will present Chaniya Toli. It is backed by Anand Pandit Motion Pictures and stars Yash Soni, Ragi Jani, Nikita Sharma, Netri Trivedi, Heena Jaikishan, Sohni Bhatt and others with Janki Bodiwala of Shaitaan (2024) fame in a special appearance. The film is about a group of village women robbing a bank, leading to madness and chaos. The trailer of the ‘Gujarati Money Heist’ has got a huge response and exhibitors in Gujarat expect the film to surprise.

Finally, the Punjabi film Godday Godday Chaa 2, backed by Zee Studios, will also release on Diwali. It is the second part of Godday Godday Chaa (2023) and stars Ammy Virk, Tania, Gurjazz, Gitaj Bindrakhia, Nikeet Dhillon and others. Both parts of this series are directed by Vijay Kumar Arora, who recently helmed Son Of Sardaar 2.

Trade circles and exhibitors foresee an intense battle for screen space this Diwali. A trade expert observed, “Screen clashes are common when two major Hindi films release together. We just saw that happen with Kantara and Sunny Sanskari Ki Tulsi Kumari last week. This festive season, a similar tussle is expected, with Thamma and Ek Deewane Ki Deewaniyat vying for prime slots. What makes matters trickier is the strong regional lineup; Marathi, Gujarati and Punjabi films are arriving with big backers and built-in audiences. Their presence will amplify the competition in their respective territories, and exhibitors may have to strike a delicate balance while allocating shows.”

A single-screen exhibitor from Maharashtra noted, “Marathi films have been released on Diwali in the past. Mumbai Pune Mumbai 2, which is directed by Premachi Goshta 2 director Satish Rajawade, came on Diwali 2015 along with Katyar Kaljat Ghusali, despite the biggie Prem Ratan Dhan Payo being scheduled for a release on the same day. Yet, everything was managed well. This time, too, I don’t see it as a problem, though I don’t deny that things have changed a lot in terms of screen-sharing tactics in these last 10 years.”

Also Read: Thamma track ‘Dilbar Ki Aankhon Ka’ out: Nora Fatehi calls her high-energy return to MHCU “completely explosive”



Priyanka Chopra Jonas dazzles in ivory Indo-Western look at Anjula Acharia’s pre-Diwali bash in NYC

Global star Priyanka Chopra ushered in the Diwali season with spectacular flair at a glittering pre-Diwali celebration in New York City. Hosted by her longtime manager Anjula Acharia on October 11, the star-studded event attracted prominent South Asian personalities and community allies. Priyanka shared heartwarming moments from the evening with a caption reflecting on the emotional power of Diwali and the joy of reconnecting with friends — all while turning heads with her glamorous look.

Priyanka Chopra broke convention, swapping the typical saree or lehenga for a bold Indo-Western pant suit set in ivory tones, designed by Zuhair Murad. Her three-piece ensemble featured:

A halter-neck bralette with an elegant criss-cross wrap, fashioned creatively from a white sarong — her personal twist on the traditional choli. A sheer, full-sleeved open jacket adorned with intricate mirror work and embroidery, which lent festive sparkle and sophistication. High-waisted flared pants, completing the coordinated look with dazzling shimmer and contemporary appeal.

She accessorized minimally but stylishly, wearing a delicate maang tikka, diamond drop earrings, rings, and a fluffy white clutch. Her makeup was glow-centric, with nude tones, dramatic lashes, and highlighted cheeks, while her hair, parted neatly in a bun, was artfully decorated with white roses and a gajra — a nod to Bollywood’s classic aesthetic.

The “All That Glitters” Diwali Ball, now a beloved tradition in NYC, saw a blend of Bollywood, Hollywood, and community figures. Captioning her Instagram post, PeeCee wrote, "To see the incredible south Asian community and our allies turn up in gorgeous, sparkling Diwali outfits to celebrate the victory of good over evil was so emotional, especially when the world is going through so much. Wishing everyone, love, peace and prosperity this diwali season."

 

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Speaking of the professional front, the actor has recently landed in Delhi, reportedly for the shoot of her next with SS Rajamouli and Mahesh Babu.

Also Read: Karwa Chauth 2025: Priyanka Chopra calls Nick Jonas “True Chaand”, Parineeti Chopra shows custom juttis, Ayushmann Khurrana observes fast for Tahira Kashyap; Inside Bollywood’s celebrations!



Akshay Kumar moves NCLAT against edtech firm over alleged Rs 4.83 crores payment default

National Company Law Appellate Tribunal (NCLAT) is now hearing Bollywood superstar Akshay Kumar’s plea against edtech firm Cue Learn Private Ltd, escalating the fight over an alleged Rs 4.83 crores payment default from an endorsement deal.

According to official filings, Akshay Kumar fulfilled all terms of his endorsement contract with Cue Learn, having received only Rs 4.05 crores as his first instalment. The second instalment, reportedly due regardless of further brand activity, was never paid. Cue Learn cited reasons such as unreceived invoices and scheduling issues for withholding payment.

Akshay Kumar’s legal team first took the matter to the National Company Law Tribunal (NCLT) under Section 9 of the Insolvency and Bankruptcy Code (IBC), 2016, claiming unpaid dues amounting to Rs 4.83 crores since 2021. However, the Delhi bench of NCLT ruled that the case didn’t qualify as an issue for the insolvency code, stating that contract disputes not tied to operational or financial debt are out of its jurisdiction.

“The NCLT’s role is to oversee the insolvency resolution process for qualifying debts, and it cannot be expanded to encompass disputes of a contractual nature,” the tribunal clarified in its order.

Undeterred, Akshay Kumar’s lawyers appealed the dismissal to NCLAT, arguing that the deal’s terms clearly obligated Cue Learn to pay the remaining Rs 4 crores regardless of actual promotional activity. The legal team also noted that the NCLT did not fully consider the contract’s relevant clauses during its initial ruling.

The NCLAT is now considering the matter after reviewing submissions from the actor’s counsel.

Also Read: Two Much With Kajol And Twinkle: Akshay Kumar reveals that a NAKED Saeed Jaffrey once accidentally got into Saif Ali Khan’s bathroom: “He opened the curtain and saw Saif NAKED inside!”



Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour.

The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about films he regrets doing. After naming some older projects like Suryavanshi and Nishchay, the Tiger 3 actor clarified he had no regrets about recent films — including Sikandar.

He then took a playful yet pointed jab at Murugadoss, saying, “Main set pe raat ke 9 baje pahuchta tha, meri pasaliyan tooti thi (I used to reach the set at 9 PM, but my ribs were fractured).” In a sarcastic tone, Salman added, “Hamare director sahab bolte the aisa, lekin unki picture jo abhi release hui hai, uske actor to 6 baje pahuchte the” — a clear dig at Murugadoss’s latest Tamil release Madharaasi, which also struggled to impress audiences.

Salman Khan Takes A Dig at Sikandar Producer and Box Office Jibe

Salman further remarked that both producer Sajid Nadiadwala and Murugadoss distanced themselves from Sikandar after its box-office failure. “Pehle Sajid kalti, phir Murugadoss South sidha,” he quipped, hinting that the team moved on quickly after the film’s underwhelming performance.

Continuing his banter, the actor cheekily praised Madharaasi as a “bigger blockbuster than Sikandar,” accompanied by a knowing smile — a statement that drew laughter from the Bigg Boss audience.

#Latest: On the #BiggBoss19 set, Megastar #SalmanKhan finally opened up about what went wrong with Sikandar and took a strong stand against director A.R. Murugadoss - the same man who gave interviews blaming Bhai for the film's failure. ???? Bhai giving a reality check was much… pic.twitter.com/mPtxQQ0zKm — Er.Sohail (@BeingSohail__) October 12, 2025

Released earlier this year, Sikandar told the emotional story of Rajkot’s king Sanjay Rajkot (played by Salman Khan) and his journey to protect three people who had received organ donations from his late wife, portrayed by Rashmika Mandanna.

Also Read: HISTORIC: Shah Rukh Khan, Salman Khan, Aamir Khan to share stage TOGETHER at Joy Forum 2025 in Saudi Arabia



Sunday, October 12, 2025

Esha Deol becomes face of Handball Pro League 2026

Bollywood actress Esha Deol has been officially announced as the Brand Ambassador for the Handball Pro League (HPL), which is set to take place in Nagpur in February 2026.

A former state-level handball player during her school years, Esha brings a personal connection and genuine passion to her new role. Her appointment aims to boost visibility and enthusiasm for the sport across India, particularly among young athletes and women.

The Handball Pro League, which continues to grow in popularity, is gearing up for an exciting new season featuring top national and international talent. With Esha Deol’s involvement, the organizers hope to inspire more youth participation and spotlight handball as a fast-paced, dynamic sport deserving of greater recognition.

The league’s Nagpur edition promises to be a celebration of energy, athleticism, and sporting spirit — perfectly reflected in Esha Deol’s vibrant association with HPL.

Also Read: 18 Years of Darling: Esha Deol on RGV, Fardeen Khan, and playing a ghost with a wicked streak



Annu Kapoor speaks about Tamannaah Bhatia’s ‘milky body, face”; REACTS to ‘Aaj Ki Raat’ viral remark: “Even a 70-year-old child can fall asleep”

When Annu Kapoor holds court, expect fireworks! The veteran actor’s latest razzle-dazzle isn’t from a film, but from his laugh-out-loud comments about Tamannaah Bhatia and her sultry track ‘Aaj Ki Raat’ from Stree 2. His hilarious, tongue-in-cheek observations have sent netizens into a tailspin—and for good reason!

Kapoor wasted no time poking fun at Tamannaah’s viral statement that mothers sing the song to put babies to sleep. Leaning into his trademark wit, he fired back, "How old do children fall asleep? Even a 70-year-old child can fall asleep! Look at this." He then doubled down, playfully musing, "In English, they say, ‘he is 70 years old.’ I am a 70-year-old child; someone can be an 11-year-old old man. So who falls asleep?"

Without missing a beat, Kapoor showers Tamannaah with a blend of playful praise and mischief, "Sister Tamannaah Bhatia, with her song, or with her milky face and body, if she is making our children sleep sweetly, it’s very good, man… It will be a great blessing for this country that our children sleep sweetly and healthily.”

 

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It's the kind of comment only the legendary Annu Kapoor can get away with. Just when you think he's finished, Kapoor adds a sweet kicker, "If they have any other wishes, may God give her (Tamannaah) the capability, may she get blessings so that she can fulfil their wishes. This is my blessing for them."

If there’s one thing the internet agrees on, it’s this: Annu Kapoor doesn’t just comment—he creates viral moments. With one “milky body” joke and his signature flair, he’s put both Stree 2 and Tamannaah Bhatia slap bang at the centre of online pop culture.

Also Read: Tamannaah Bhatia reveals ‘Ghafoor’ was shot in just one day; calls Aryan Khan “super clear”



Manushi Chhillar teams up with Diljit Dosanjh for "sexy dance" number 'Kufar', teaser out! Watch

Miss World Manushi Chhillar and Diljit Dosanjh are setting screens on fire with their latest collaboration, a music video like never before. And the newly released teaser is proof of the magic they create together. The visuals showcase undeniable chemistry, striking energy, and a pairing that feels both unexpected and instantly captivating. The teaser of 'Kufar' from Diljit Dosanjh's upcoming album Aura dropped this morning, and it hits right out of the park, with a never-before-seen pairing between Manushi and Diljit, as the Miss World extends her artistic intent to a new space, blending global appeal with local resonance. The collaboration also marks a new phase in Manushi's creative journey, one that continues to evolve with each project.

The song teaser offers a glimpse of Manushi in a completely new light - an uber sexy avatar we've never witnessed on screen before. From sultry close-ups that capture her smouldering intensity to sequences featuring her in a shimmering orange crop top paired with denim, Manushi commands attention in every frame that she graces. She takes being glam to the next level with 'Kufar', exuding confidence and boldness as she matches Diljit's swagger, step for step, in a dimly lit, vintage bar setting complete with chandeliers and an undeniable old-school charm. Manushi took to her socials to share the teaser and CONSIDER US TEASED. She penned, "Well...I tried something new"

 

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The chemistry between Manushi and Diljit, combined with their shared charisma, brings an effortless energy to the screen. It feels both cinematic and global in scale. The teaser showcases the duo in a series of visually stunning moments, where Manushi's transformation is on full display. For Miss World, this collaboration is more than just a music feature. It represents her desire to diversify her artistic portfolio, to explore formats that allow her to connect with audiences in fresh and dynamic ways.

As the teaser continues to generate buzz, it reaffirms what 2025 has already made clear - Manushi Chhillar is redefining herself with every project - taking creative risks, delivering powerful performances and carving her own path with a fearless, focused determination. 2025 has truly been her year, with acclaimed performances in Maalik and Tehran. Manushi has brought to the forefront her willingness to take on roles that challenge her and allow her to grow as an artist. And her latest collab with Diljit Dosanjh is no different. The song will be released on October 15, 2025.

Also Read: Manushi Chhillar’s AMA: Stress-busting hacks, dream superpower & love for Rajkummar Rao



Guneet Monga reveals Karan Johar gave The Lunchbox its GAME-CHANGING headline; says “He spent Rs. 6.50 cr on P&A for our Rs. 10 cr indie film…helped us get 500 screens”

Guneet Monga had a wonderful conversation with Karan Johar about the production aspects, taking Indian films to a global level and a lot more. One of her biggest breakthrough films was The Lunchbox (2013), starring the late Irrfan Khan, Nawazuddin Siddiqui and Nimrat Kaur. Guneet explained how she raised money for the film and how Karan Johar came on board.

Guneet Monga said, “A lot of credit for The Lunchbox working in India goes to Dharma Productions for their genuine marketing. When it was being made, I was told, ‘Isko kaun dekhega?’. Earlier, it was a Rs. 10 crore budget film. Raising such an amount was difficult in India. When we raised Rs. 5.50 crores in France and Germany, the project became commercially viable. I was able to recover the balance Rs. 4.50 crores through MG within 48 hours of the Cannes premiere! India’s rights were yet to be sold, but its collections were going to be a bonus.”

She revealed, “I reached out to Karan. He was also in Cannes for the premiere of Bombay Talkies (2013). I saw him having a meal. I introduced myself; this was my first meeting with him. I told him, ‘You are the master of love stories and I feel I have made a beautiful love story. It’s broken out here in Cannes. We have sold the rights of the world. Would you please watch it?’. That’s how our friendship began. He gave me his number and asked me to show him the film in India.”

Guneet continued, “Once I returned to India, his film Yeh Jawaani Hai Deewani (2013) had been released. A week later, he saw the film and loved it. He walked out and gave us the film’s tagline – Can you fall in love with somebody you have never met? Then he called me to his office and asked me, ‘What do you need?’. I said, ‘A big release. We have done 100 screen releases and we can do that. I want a 500 screen plus release’.”

Guneet Monga further said, “He then called up UTV Motion Pictures. He even put in Rs. 6.50 crores of P&A. That was huge money for a film like this. It was still a film with no songs, had dialogues in English etc. That question of ‘Kaun aayega dekhne’ was valid even then. However, I feel we judge our audiences a lot.”

At another point in the interview, Guneet also explained how she raised money from France, “I realized that there was a treaty between India and France, which was signed way back in 1985. I was the first one to use the treaty for co-production in 2011-12. This is how I raised 50% of the budget from France (smiles).”

Also Read: Was there tension between Irrfan Khan, Nawazuddin Siddiqui on the sets of The Lunchbox? Guneet Monga BREAKS silence: “It was a part of the process…not significant…”



Saturday, October 11, 2025

CONFIRMED! De De Pyaar De 2 to release on November 14, 2025; makers drop FIRST asset!

Brace yourselves for double the fun, double the madness and double the family drama! After winning hearts and sparking plenty of laughs in De De Pyaar De, Ajay Devgn and Rakul Preet Singh return as Ashish and Ayesha in the highly anticipated sequel, De De Pyaar De 2! The rom-com is set to release on November 14, 2025.

And guess what? This time, Ashish is walking straight into Ayesha’s family home! Will the age-gap romance win hearts or stir things up? One thing is certain - it’s going to be a wildly entertaining ride.

The makers have unveiled the first look of the film with a motion poster, officially setting the stage for what’s to come. Featuring Ajay Devgn, Rakul Preet Singh, along with Jaaved Jaaferi, the sequel promises more madness and entertainment as R. Madhavan, Meezaan Jafri, Gautami Kapoor, and Ishita Dutta join the cast of this much-anticipated film.

 

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So, get ready because when Ashish meets Ayesha’s family, pyaar is about to bring a whole lot of drama! With heart, humour and a whole lot of family madness, this sequel promises a relatable, riotous ride for every kind of audience.

It is worth mentioning here that a couple of days ago, Bollywood Hungama exclusively reported that the trailer will be launched on October 14 with GRAND two-city events in Mumbai and Delhi.

Directed by Anshul Sharma, the sequel is written by Tarun Jain and Luv Ranjan. It is produced by Bhushan Kumar, Krishan Kumar, Luv Ranjan and Ankur Garg. The makers of lighthearted films like Tu Jhoothi Main Makkaar, Sonu Ke Titu Ki Sweety, and Pyaar Ka Punchnama craft the film. The film releases in theatres on November 14, 2025.

Also Read: Rakul Preet Singh reveals how she picks roles as she gears up for De De Pyaar De 2, Pati Patni Aur Woh 2 and Ramayana



Rajkummar Rao and Patralekha bring home the ultra-luxurious Lexus LM worth over Rs. 2 crore

Bollywood couple Rajkummar Rao and Patralekha have just upgraded their ride in style; the power duo has added the plush new Lexus LM to their garage, a luxury MPV priced at over Rs. 2 crore. Known for their grounded personalities yet refined taste, the couple’s latest purchase perfectly reflects their blend of sophistication and practicality. The Lexus LM, often dubbed the “Rolls-Royce of MPVs,” is the Japanese automaker’s flagship people mover, combining top-tier comfort, advanced technology, and serene performance.

The luxury MPV is powered by a 2.5-litre hybrid petrol engine, producing a combined 250 PS of power. It’s paired with an e-CVT gearbox and comes equipped with an all-wheel-drive (AWD) setup, ensuring a smooth and stable drive — ideal for long hauls or red-carpet arrivals alike.

Inside, the Lexus LM redefines indulgence. The cabin boasts a massive 48-inch rear entertainment screen, a 23-speaker Mark Levinson sound system, and four-zone climate control — turning every drive into a cinematic experience. Both front and rear seats are heated and ventilated, while a heated steering wheel adds to the comfort quotient.

The driver’s cockpit features a 14-inch touchscreen infotainment system and a 12.3-inch digital driver’s display, seamlessly blending tech and luxury.

 

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For Rajkummar Rao and Patralekha, who recently celebrated multiple career highs, the Lexus LM is a natural choice. The power couple now travel in a vehicle that combines performance, luxury, and eco-friendly hybrid technology.

With its opulent interiors and commanding presence, the Lexus LM perfectly complements the couple’s refined lifestyle, proving once again that simplicity and sophistication can go hand in hand.

Also Read: Rajkummar Rao and Patralekhaa’s romantic New Zealand getaway is straight out of a postcard; watch



Karan Johar goes electric! Buys MG M9 luxury MPV worth Rs. 70 lakh

Filmmaker Karan Johar has just made an electrifying new addition to his enviable fleet, the all-new MG M9, a premium electric MPV priced at over Rs. 70 lakhs. Known for his larger-than-life taste and impeccable style, Johar’s latest acquisition blends luxury, comfort, and sustainability in equal measure.

The MG M9 — MG Motor India’s flagship electric MPV — is being hailed as one of the most premium electric people-movers in the country. Roughly the size of a Kia Carnival, the M9 brings limousine-like comfort with an all-electric heart, making it a perfect fit for celebrities who value both class and conscience.

The MG M9 comes powered by a 90 kWh battery pack that delivers 245 hp and 350 Nm of torque, offering a claimed range of up to 548 km on a single charge. Designed to rival the Toyota Vellfire and Kia Carnival, the M9 stands over 5.2 metres long and 2 metres wide, ensuring massive cabin space for stars who like to travel in style.

Inside, the M9 is pure indulgence — reclining captain seats with ottomans, ambient lighting, massage and ventilation options, panoramic sunroofs, and dual rear entertainment screens create a first-class lounge experience. Add to that Level 2 ADAS, a 360-degree camera, and seven airbags, and the car checks every box for luxury and safety.

 

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For Karan Johar, who already owns a garage filled with high-end vehicles from brands like Mercedes-Benz, BMW, and Jaguar the MG M9 is a refreshing move toward sustainable luxury. Known for his keen sense of design and flair for all things aesthetic, Johar’s choice of a premium electric MPV mirrors his evolving, eco-conscious side.

While the filmmaker hasn’t publicly commented on his new wheels yet, the addition of an electric vehicle worth over Rs. 70 lakhs reaffirms his love for innovation and trendsetting. Just as he’s transformed Bollywood storytelling with grandeur and emotion, Karan seems ready to embrace the future of green mobility in equally glamorous fashion.

Also Read: Karan Johar ADMITS he’s “obsessed” with SS Rajamouli, reveals he personally approached him to present Baahubali 2 in Hindi



EXCLUSIVE: Rajesh Roshan successfully undergoes open-heart surgery; to be discharged soon

Eminent music composer Rajesh Roshan is currently recuperating at a hospital in Mumbai after undergoing a major heart surgery. Bollywood Hungama has exclusively learned that the Koi Mil Gaya (2003) music director had gone for a routine health check-up last weekend, during which doctors discovered blockages in his heart. They advised him to undergo an open-heart surgery.

We have further learned that Rajesh Roshan was admitted at Sir H N Reliance Foundation Hospital and Research Centre and underwent the surgery on Monday, October 6. The operation was successful and he’s presently under observation. Further, he is recovering well and is expected to be discharged soon.

A source told Bollywood Hungama, “Rajesh Roshan was very well taken care of by the doctors and hospital staff. His loving family also stood rock solid by his side throughout. The Roshan family now looks forward to his discharge and to celebrating Diwali with him.”

In July this year, Rajesh Roshan’s brother, veteran filmmaker Rakesh Roshan, had also undergone a medical procedure after a routine check-up revealed more than 75% blockage in the carotid arteries leading to the brain. He was immediately hospitalized and, after successful treatment, was discharged within a couple of days.

Both Rajesh and Rakesh Roshan’s recent health scares serve as a timely reminder of how crucial regular medical check-ups are, even for those who appear perfectly healthy. Early detection, as in their case, can make all the difference, helping prevent major complications and ensuring timely treatment for a faster, smoother recovery.

Also Read: Trivia Tunes: Rajesh Roshan shaving head for his music in a film to SD Burman losing films



Friday, October 10, 2025

Bodybuilder and actor Varinder Singh Ghuman, 41, passes away in Amritsar; Milap Zaveri calls his demise “unpredictable” in tribute note

Varinder Singh Ghuman, professional bodybuilder and actor known for his work alongside Amitabh Bachchan in Jhund and Salman Khan in Tiger 3, passed away at the age of 41 in Amritsar.

According to multiple reports, Ghuman had been admitted to Fortis Hospital in Amritsar for a minor bicep surgery and was expected to be discharged the same day. However, he reportedly suffered a cardiac arrest during the procedure, which proved fatal.

A celebrated figure in the bodybuilding community, Ghuman was also one of the few Indian athletes recognized internationally in the sport. Beyond his achievements in fitness, he successfully transitioned to cinema. He played the lead role in the Punjabi film Kabaddi Once Again (2012) and appeared in Bollywood films including Roar: Tigers of the Sundarbans (2014) and Marjaavaan (2019).

Tributes began pouring in soon after the news of his untimely demise. Director Milap Zaveri, who worked with him in Marjaavaan, shared a heartfelt note on social media: “RIP @veervarindersinghghuman bhai. How unpredictable life is. Will always cherish the memories we shared on #Marjaavaan,” he wrote, along with behind-the-scenes pictures from the film’s set.

 

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Ghuman’s sudden passing has left both the film industry and the bodybuilding fraternity in shock.

Also Read: Veteran actress Sandhya Shantaram passes away at 94



Karisma Kapoor's children's lawyer calls Priya Sachdev "Cinderella’s stepmother" amid Rs 30,000-crores Sunjay Kapur estate legal battle

Allegations of forgery and conspiracy clouded the inheritance battle over the Rs 30,000-crore estate of late industrialist Sunjay Kapur, as Senior Advocate Mahesh Jethmalani told the Delhi High Court on Thursday that the purported will produced by Kapur’s widow Priya Sachdev Kapur was a fabricated document, crafted to exclude his two children --Samaira and Kiaan Kapur, and seize control of his vast fortune.

Appearing before Justice Jyoti Singh, Jethmalani representing Samaira and Kiaan Kapur, the children from Sunjay’s earlier marriage to actor Karisma Kapoor, alleged that Sunjay “had no role in his own will." The counsel said digital evidence and travel logs proved that the industrialist was on holiday with his son Kiaan between March 15 and 18, 2025, when the document was supposedly modified.

“The will was altered on March 17 at 11:54 am, when Sunjay Kapur was not even in the city. His digital footprints are missing, replaced by those of the conspirators, including Priya Kapur,” Jethmalani told the court. “It is a serious crime under Section 467 of the Indian Penal Code, which prescribes life imprisonment for forgery of a will.”

At the centre of the controversy is a will dated March 21, 2025, which allegedly bequeaths Sunjay Kapur’s entire personal estate to his third wife, Priya Sachdev Kapur. The children have challenged its authenticity, calling it the result of “a criminal conspiracy” among Priya and three associates. The ‘Cinderella Stepmother’ Allegation The metaphor quickly became the day’s most-quoted line in the courtroom. Jethmalani alleged that Priya Kapur had behaved like “an evil Cinderella mother” to Samaira and Kiaan scheming to sideline them and their grandmother Rani Kapur, while consolidating wealth and power within her own household.

He accused Priya of engineering secrecy around the estate, including insisting that family members sign non-disclosure agreements before discussing assets. “If the will were genuine, why the need for NDAs? Why the haste?” he asked.

Jethmalani also questioned the role of Shradha Suri Marwah, the named executor, claiming that “the person executing the assets was not the executor but Priya herself.” Two witnesses to the will, he said, were later given roles in companies tied to the estate—an “ominously convenient” pattern that, he argued, exposed the forgery. Neither witness has filed an affidavit validating the will, adding to the doubts over its provenance.

Justice Singh, after opening the sealed cover that contained the original document and an asset list, observed that the list bore no signature, and directed Priya Kapur to re-file it with an affidavit. The court will continue hearing Jethmalani’s arguments on October 13 before the defence presents its case.

According to court filings, the will leaves Karisma Kapoor’s children with a residual stake of barely 26% in the family trust, while Priya Kapur and her minor son Azarius command control of nearly three-quarters of the assets. “The tearing hurry was to appropriate everything before the children could act,” Jethmalani told the bench. “This is no benign stepmother; this is Cinderella’s stepmother.”

Jethmalani further questioned the conduct of Shradha Suri Marwah, the named executor of the will, asserting that “the person executing the assets was not the executor but Priya herself.” He told the court that the two witnesses to the will were subsequently rewarded with positions in companies linked to the Kapur estate, an arrangement he described as “ominously convenient.” Neither witness, he said, has filed an affidavit confirming the will’s validity, a silence that “makes the document even more suspicious.” A Will Without Signature Justice Singh on Thursday opened the sealed cover submitted by Priya Kapur containing the original will and a list of assets. The judge observed that the list bore no signature, directing Priya to resubmit a signed version accompanied by an affidavit. The court will continue hearing Jethmalani’s submissions on October 13 before taking arguments from the defence.

Counsel Rajiv Nayar, representing Priya Sachdev Kapur, categorically denied the allegations, maintaining that the will was “executed and attested properly, long before Sunjay Kapur’s death.” He argued that the suit filed by the children was “not maintainable” and that the document’s authenticity was supported by contemporaneous evidence.

The dispute traces back to June 12, 2025, when Sunjay Kapur, chairman of the diversified Sona Group and a familiar face on India’s polo circuit, collapsed during a match in England and died shortly afterwards. In the weeks following his death, Priya initially claimed that all assets were held in the RK Family Trust and that no will existed. Only in late July did she produce the March 21 document, which the children now describe as “forged and fabricated.”

Jethmalani told the court that the alleged forgery amounted to “a conspiracy by four individuals” aimed at usurping complete control of the estate while leaving Sunjay’s elderly mother Rani Kapur and his two children “effectively penniless.” “The mother is the settlor of the trust,” he reminded the bench. “What ungrateful son would ever leave his mother without a rupee? This is not Sunjay’s doing.”

Beyond the personal drama, the case has broader implications for Indian corporate families increasingly relying on digitally executed wills and trust structures to manage intergenerational wealth. Questions over metadata, authentication and electronic signatures, all pivotal to this case, could shape future jurisprudence on digital inheritance documents.

For now, the High Court has ordered Priya Kapur to provide a verified list of assets and frozen any move to create third-party rights. The matter will resume next week, but the high-society feud has already gripped both legal and business circles, a cautionary tale of modern wealth, technology and trust fractured by suspicion.

As one lawyer observing the proceedings remarked, “This is not merely about money. It’s a story of power, betrayal and the perils of digital inheritance where the battle for legacy may outlive the man who built it.”

Meanwhile, Rahul R Shelke, Civil Lawyer, Bombay High Court, expert in succession cases, said, "The assertion that the will was modified while the testator was away with his son is legally significant. When such allegations are supported by an affidavit from the testator’s close kin and contextualised by evidence of marital discord, they lend considerable weight to claims of undue influence or forgery. Courts will generally adopt a cautious stance, prioritising the protection of the legitimate heirs’ interests until a full forensic examination is concluded."

Also Read: Karisma Kapoor battles for her children’s rights in Sunjay Kapur’s Rs. 30,000 crores estate dispute